Tuesday,
9 February
enormousair:

my-ear-trumpet:

Get on the Blandwagon:

Going through a design site yesterday, I came across this picture of the front door on a house in Texas.
It’s welcoming to be sure, but something about it seemed a little twee for Albert Camus. He was, after all, the most nihilistic and moody Frenchman ever to glower over an ashy Gauloise. So I did a little research and eventually came up with the original quote:

“I knew a pure heart who rejected mistrust. He was a pacifist and libertarian and loved all humanity and the animals with an equal love. An exceptional soul, that’s certain. Well, during the last wars of religion in Europe he had retired to the country. He had written on his threshold: “Wherever you come from, come in and be welcome.” Who do you think answered that noble invitation? The militia, who made themselves at home and disemboweled him.”

This bodes rather badly for the homeowner and her family. However the house is apparently on the market, so hopefully a) the militia won’t come until after the sale closes and b) it will be bought by Adam Sandler.


Nice cautionary tale. Imagine a horror movie where you got disemboweled not for being beautiful and popular but for quoting out of context.
I have to object, though, to the application of the word “nihilistic” to Camus, never mind most nihilistic (& moody) Gauloise-smoking frenchie ever. Not by far, I think. It might be time for a reread.
(I didn’t mean that quite as jerkily as it may have sounded. A little jerkily, but mostly just teasily.)
Second, wtf. Talk about absurd. I assume someone found the quotation floating around the internet, thought it was sweet, and stenciled it on their door, not bothering to check the context. (To further expand on which, it’s from The Fall, and is spoken by the narrator Clamence, himself a disillusioned French intellectual. So the attitude inherent in the quote shouldn’t be attributed directly or wholly to AC.)

Also, what do we make of the bold emphasis on “enter and be welcome” when the quote is placed back in it’s context, does it serve to emphasis the family would welcome a good plain-old fashioned home-delivered militia-disemboweling?
Or, perhaps there’s a complex Borges-penned universe where writing such quotations on doors does indeed bring the quotation’s context crashing in on you. It’s as if the ideas are forever woven tightly together, like pulling a piece of yarn from the center of your sweater and dimpling up the entire fabric in that direction. The ink dries on the quotation and from the back door comes the “pacifist and libertarian” rushing to set up his quiet life of exile on one side of the door while the militia organizes in the street just outside as the text settles calmly into place and then into action in a new universe, spending it’s verbs, acting on it’s subjects and obliterating the quotation form the wall, it’s forms spent and meaning played out here only once. You’ve dropped the thread now and the sweater’s weave falls back against your chest at least until another idle moment comes and you pick at it again.

enormousair:

my-ear-trumpet:

Get on the Blandwagon:

Going through a design site yesterday, I came across this picture of the front door on a house in Texas.

It’s welcoming to be sure, but something about it seemed a little twee for Albert Camus. He was, after all, the most nihilistic and moody Frenchman ever to glower over an ashy Gauloise. So I did a little research and eventually came up with the original quote:

“I knew a pure heart who rejected mistrust. He was a pacifist and libertarian and loved all humanity and the animals with an equal love. An exceptional soul, that’s certain. Well, during the last wars of religion in Europe he had retired to the country. He had written on his threshold: “Wherever you come from, come in and be welcome.” Who do you think answered that noble invitation? The militia, who made themselves at home and disemboweled him.”

This bodes rather badly for the homeowner and her family. However the house is apparently on the market, so hopefully a) the militia won’t come until after the sale closes and b) it will be bought by Adam Sandler.

Nice cautionary tale. Imagine a horror movie where you got disemboweled not for being beautiful and popular but for quoting out of context.

I have to object, though, to the application of the word “nihilistic” to Camus, never mind most nihilistic (& moody) Gauloise-smoking frenchie ever. Not by far, I think. It might be time for a reread.

(I didn’t mean that quite as jerkily as it may have sounded. A little jerkily, but mostly just teasily.)

Second, wtf. Talk about absurd. I assume someone found the quotation floating around the internet, thought it was sweet, and stenciled it on their door, not bothering to check the context. (To further expand on which, it’s from The Fall, and is spoken by the narrator Clamence, himself a disillusioned French intellectual. So the attitude inherent in the quote shouldn’t be attributed directly or wholly to AC.)

Also, what do we make of the bold emphasis on “enter and be welcome” when the quote is placed back in it’s context, does it serve to emphasis the family would welcome a good plain-old fashioned home-delivered militia-disemboweling?

Or, perhaps there’s a complex Borges-penned universe where writing such quotations on doors does indeed bring the quotation’s context crashing in on you. It’s as if the ideas are forever woven tightly together, like pulling a piece of yarn from the center of your sweater and dimpling up the entire fabric in that direction. The ink dries on the quotation and from the back door comes the “pacifist and libertarian” rushing to set up his quiet life of exile on one side of the door while the militia organizes in the street just outside as the text settles calmly into place and then into action in a new universe, spending it’s verbs, acting on it’s subjects and obliterating the quotation form the wall, it’s forms spent and meaning played out here only once. You’ve dropped the thread now and the sweater’s weave falls back against your chest at least until another idle moment comes and you pick at it again.

“In the Lord of the Rings, Tolkien adopted the literary device of claiming to have replaced the original Westron with English. This device of rendering an imaginary language with a real language he carried further, rendering Rohirric, related to an older form of Westron, by Old English, and names in the tongue of Dale in the north of Rhovanion by Old Norse forms, thus mapping the genetic relation of his fictional languages on the existing historical relations of the Germanic languages. A natural consequence of this is that the languages thus replaced were never worked out by Tolkien in any detail because they never appeared in the texts.”

here, wikipedia, where else?

The more I think about LotR, the more completely fucking insane the whole venture is.

…thus mapping the genetic relation of his fictional languages on the existing historical relations of the Germanic languages.

That is great, what little I know of the movement, shouldn’t postmoderns and Semioticians, Jean Baudrillard aficionados and the like just eat this up? There’s swords and elves and magic and shit, but that’s all just window dressing for talking about “the genetic relation[s] of his fictional languages. I think it’s time to delve into a second reading, the first one having been completed before the first film came out on 19 December 2001. It is most certainly time to read those book and the ancillary books (The Silmarillion, etc.) again.

Sunday,
7 February

one of the opening shots of Down By Law.

set, as you may already know, in New Orleans.

a promotional video for the Google Nexus One, showing some of the physical hardware testing they do to the phone. It’s really interesting to see all the machines they build to do stuff like simulate pressing the button on the phone fifty thousand times. I’ve always been curious about this sort of thing.

HTML: not dead yet
People are going nuts with new interface technology. You’ve got sites out there like Gabocorp declaring the end of the HTML era and the beginning of the Flash era. The Smithsonian has an online art gallery with a cool little Java nav applet. And DHTML popups and nav applets are everywhere.

What of HTML? Plenty. The plain jane HTML well has not yet run dry. It’s still the glue that holds the web together. People are doing fabulous new things with it every day. And I like it…better than all that other crap put together. So there.

By Jason Kottke  •  Apr 12, 1998 at 10:52 pm

ended up looking at the first couple months of kottke.org posts, interesting food for thought give all the hype and buzz and expectation that’s floating around about HTML 5 and its (in)ability to doom flash forever.

Wednesday,
3 February
Tuesday,
2 February
“I Was a Teenage Zabbadoing and the Incredible Lusty Dust-Whip from Outer Space Conquers the Earth Versus the 3 Psychedelic Stooges of Dr. Fun Helsing and Fighting Against Surf-Vampires and Sex-Nazis and Have Troubles with This Endless Titillation Title (West Germany) (long title)”

or, you know, just call it Vampiros Sexos

http://www.imdb.com/title/tt0288860/

I would love to find box art for this, but it’s not something I’m about to Google at work, just to be on the safe side. came up when doing this search.

travelhighlights:

White Sands National Monument by Nicholas Hance McElroy
From Alaska Miller (CAPITALIZED!):

Taking pictures—real pictures—is a lonely job. You see a tiny part of the world and use the tools you have in hand to recreate it, to share it. But the world is just stoic as it is empty. You just sit there, and wait. Sometimes in the dark. And you wait. Then you press the trigger and get one picture that doesn’t necessarily showcase your talents but rather the ungrandiose truth: we’re all islands.

New Mexico, USA
Via alaskamiller:burstoid

really want to go to the desert, though i hate the hot climate. plotting a possibly cross country road trip this summer, would love to see things even sort of like this.

travelhighlights:

White Sands National Monument by Nicholas Hance McElroy

From Alaska Miller (CAPITALIZED!):

Taking pictures—real pictures—is a lonely job. You see a tiny part of the world and use the tools you have in hand to recreate it, to share it. But the world is just stoic as it is empty. You just sit there, and wait. Sometimes in the dark. And you wait. Then you press the trigger and get one picture that doesn’t necessarily showcase your talents but rather the ungrandiose truth: we’re all islands.

New Mexico, USA

Via alaskamiller:burstoid

really want to go to the desert, though i hate the hot climate. plotting a possibly cross country road trip this summer, would love to see things even sort of like this.

Monday,
1 February
[Flash 9 is required to listen to audio.]

The Books featuring Jose Gonzalez - Cello Song (Nick Drake)

Wonderful. I love both versions of this song but this one fits my mood well today. Gives it an airy and ethereal quality that’s fitting with the lyrics in a different way than Drake’s voice typically does.

Sunday,
31 January
“Google doesn’t index design! I mean, stop and think about that for a minute: Google doesn’t index design.

The future of designed content «  Snarkmarket (via mjhoy)

This essay is tremendously thought-provoking.

Rather, it’s get you to imagine what blogs like those would look like if they bothered with bespoke design every day. I think it’s a super-interesting vision.

And it would be even more interesting if RSS aggregators could pre­serve that design and display it inline. No more random content shrap­nel! Instead, Google Reader starts to look like some crazy scrap book, with pages pulled from hundreds of different magazines and pasted together into a seam less scroll.

Tumblr is already most of the way content wise to this “crazy scrap book.” There are a couple of things that’d need improvement first. One: the how of tumblr users being encouraged to read ans use tumblr in a certain way. So here’s a question for you tumblr: how many of you read tumblr through your dashboard? How many of you read tumblr like it’s a closed network of XML feeds? How many of you are using tumblr just like google reader for a more selective, more highly curated RSS-feed aggregator? I would hazard a guess that this is how most of you are doing it.  This is how Tumblr is designed, it’s how the site encourages you to use it, through the dashboard, like an RSS reader.

Let’s try something: I assume you browse Tumblr logged in already? Open a new tab, go to tumblr.com. Where are you now? You’re on the dashboard. Tumblr is defaulting you to this RSS-feed like design-stripped view of their network. In addition there are signifigant interface barriers to getting to single shards of rich content.

To get to a rich view of the content, you have to find the perma-link to that post, not to the tumblog in question.  It’s much easier to get to the user’s blog’s page in general than it is to get to a specific post. If I’m buried 8 or 9 pages deep in the dashboard and I want to click through to the post, I might think to hit the user’s icon. This doesn’t bring me to the post, it brings me to the root of their site.  When you mouse over a specific post there’s that little folded-over top right corner near the other buttons.  It seems to me that hiding important interface components, though it saves on clutter, is generally not a good compromise, especially when it’s a barrier to seeing the content as it is meant to be seen by it’s author.  The question here becomes: how badly does Tumblr want to keep you on the dashboard? Doesn’t it want to how you not just what the users you are following are saying but how?

This interface awkwardness is a major failing and strips posts of their character and some of their value.

The thing to do, if you’re Tumblr and you’re reading this essay then, is to let that rich formatting, themed content bleed through onto the dashboard. Most users take the time to set up a theme, but I’d guess that not nearly as many of them are taking the time to click through and see that user’s design decisions.  These decisions are important, I think it’s clear this is a site that broadly values design. If you’re not seeing the page formatted with a theme, you’re missing a whole swath of things about the post and the user who put it there.  For instance this post by Merlin Mann doesn’t work in the dashboard. It’s a design joke that needs to be set in big TITLE FONT and read until you’re tired and give up waiting for the content.

So tumblr: let’s deliver the content and the design of user’s tumblrs to their followers. The medium is a large part of the message. We want to be “bothered with bespoke design every day.” Tumblr already sounds like “pages pulled from hundreds of different magazines and pasted together into a seam less scroll.” I want it to look like it too.

Saturday,
30 January
“…But the history of thought has not dealt kindly with the doctrine of clear and distinct ideas, or with the doctrine of intuitive knowledge implicit in the suggestion.”

from page 22 Gödel’s Proof: Revised Edition, Ernest Nagel; James R. Newman, Edited and with a new foreword by Douglas R. Hofstadter.

This book is tough going, given that I don’t remember even the rudimentary mathematical logic I had in high school, but once you ponder it out, it’s rewarding.

This quote sums up something that’s bothered me over the years. I took physics in high school and when faced with something I didn’t understand, my teacher would explain it. When I understood it, I would say “oh, that makes sense.” and my teacher would say “no, no, no. It doesn’t make sense, it’s physics.” The laws underlying the physical world, and also with the other sciences and much of life is not intuitive. It tends to yield as much or more increasing complexity as it does illumination.

itsfullofstars:

(via crookedindifference)
A remote camera captures a close-up view of a Space Shuttle Main Engine during a test firing at the John C. Stennis Space Center in Hancock County, Mississippi. (via)

remind me to have one of these installed when I am filthy rich, you know, to grill steak with. also, SPACE.

itsfullofstars:

(via crookedindifference)

A remote camera captures a close-up view of a Space Shuttle Main Engine during a test firing at the John C. Stennis Space Center in Hancock County, Mississippi. (via)

remind me to have one of these installed when I am filthy rich, you know, to grill steak with. also, SPACE.

Migraine [amk: On Pain]

mills:

I have occasion somewhat regularly to sit in intense pain and attempt to think. The psychically-disruptive effects of a migraine are fascinating: I find my mental space collapsing in on itself, my present occupying shorter and shorter spans of time. Phrases –often from songs I don’t listen to- repeat in a kind of punching staccato in my head, the words rearranging themselves, portions disappearing and then reappearing, as though a lyric has become entangled in a crumbling part of my mind and my brain is performing incompetent matrix operations on it.

A line becomes four words, four words become two, and finally one word or one syllable will repeat in my head: a pellet of irreducibility, a single grain of sand worrying an oyster, hard and sharp in the straining softness of the throbs. Ch-ch-ch-ch-ch-ch-ch…child. One experiences one’s mind as a quantum –rather than classically continuous- machine: it exists from syllable to syllable, a single sound the quantum of awareness. Its moments last as long as the crunching of a bone.

But then, as the wave of pain recedes, the moments have more space between them. The words extend, become lyrics again, and sometimes, writhing, I’ll speak more of the permuted line through my teeth: obvious child…why deny, why deny, why deny. And as the space returns to my mind –as it recovers from this fantastic singularity in which only pain and an utterance exist- I can again observe my thoughts.

I like to do so. A migraine produces amazing phenomena: the kaleidoscopic phosphenes that light the darkness, the schizoid synesthesia, the bricolage of perceptual fragments blended haphazardly, the disappearance of the self. It sometimes seems to me that in pain we come closest to experience the consciousness of animals: momentary, without significant recollection or imagination, an assembly of impulses ill-understood that drive behavior beyond interrogation.

Writhing, writhing, writhing in the dark: trying to decouple pain from suffering. It’s a good thing to try with emotional anguish, too: to observe it and record its details without prejudice, to remember that this is just another set of confused perceptions and reactions, nothing except your mind’s malfunction.

I’ve had similar pain-induced experiences, though in my case with related to a congenital kidney defect.  It produced intense pain for periods of 8-12 hours until i became sufficiently dehydrated to free up space in kidney to right itself so to speak. I would lay in bed, trying to sleep for hours, writhing, overheated, restless, trying desperately to either focus so intensely on the pain that it ceased to intrude and became the only thing my mind held in it or to focus on anything else.  During the swings in there I would experience these similar rutting experiences with sounds or thoughts I’d had. You manage perhaps to find little bits of time to think about the pain that you’re in and try and find a way out from it. I would try and focus on anything and my mind would not allow me to, I was restless in every sense of the word. I could not lay still, I could not cease to think, I could certainly not sleep. In these periods I would also have auditory hallucinations, where I would become convinced someone had said my name and it had emanated from the far corner, between the book case in the wall, where the light from the hall way falls on the floor.  And then this noise, or voice would emanate from somewhere else and get caught in that rutting noise of the mind that Mills so accurately describes, and I would be fixated on a thing I knew I had heard but knew I could not have heard. Fragments of my name would loop in my head, gaining momentum until they blurred together and stopped. I would also get flashes of color in the darkness, staring up at the ceiling and having them modulate with the pain’s intensity.  It also became mostly impossible to do anything at the worst parts of this but moan banalities, asking God, my parents or my body to make. it. stop. hurting.  Usually all of this would cap off with a further torturous round of vomiting and dry heaving, most memorably, into a toilet in an arrivals terminal at JFK airport, as my father was held up coming home from england with us as he had the same name as a man who had a large amount in back taxes or something and was on a no-fly list for international travel.

Relatedly, I’ve been hospitalized for the above and various other conditions a number of times throughout my life and the experience of having an IV put into my arm ceased to be a wholly alien or strange phenomena.  You become momentairly aware, of the structure of your body beneath your skin, in a few inches of vein that holds the stent and hydrates and medicates you.  You find you know in greater detail the otherwise hidden geography of that square inch of your arm, and in a small pinch and a pain you know yourself a little better perhaps and in a way that not many do. The other day on my way home, as I do daily, I past the hospital and for a moment I felt that pinching and in my mind saw my arm struk with an IV and could imagine I felt it in my arm. I missed it almost fondly and was immediately surprised at myself for missing something that is a viscerally unpleasant, frightening and painful long series of experiences. I am not a masochist, I don’t really want to revisit a hospitalization but all the same I almost wanted to feel that again, that uncommon physical strangeness. It is not often one encounters a wholly singular physical stimulus, most things feel like others and this does not.

Thank you, Mills, for so vividly reminding me of something I thought I wanted to forget. It is, when you’re able to wrestle your thoughts away from wallowing down in the purely physiological stimulus, a fascinating feeling since it has a cause divorced from the other senses. If you cut your finger you can see why it hurts, you can in not looking at it, make the pain less real or feel it for another when seeing their finger cut, but an internal, tremendous, nearly transcendental pain cannot be sensed except through it’s presence. It unlike most other things you experience as linked firmly to a texture, a color, some feature of the thing, an attribute applied to it. A Red fire engine, a soft cat’s fur. The pain instead has the features of all the things it does to your mind, the ways it hamstrings and hobbles you and what you do and are made to do by it.

Again, thank you for posting this, I am really glad to sit down and write about all of this, having not really done so, having not had the distance or spark to write lucidly about it. Maybe next I’ll tell you the fun stories about when they had me on morphine in the hospital or how seeing a pediatric urologist was a great idea, since though 20, I was given a private room in the kid’s hospital with a 32” plasma TV, DVD player.  I was about equally annoyed that I had to watch Star Wars with a shitty 2” mono speaker for sound as I was about the hideous tubes going into and out of my seriously weakened and drugged body.

Thursday,
28 January
“She knew, because she had held him, that he suffered DT’s. Behind the initials was a metaphor, a delirium tremens, a trembling unfurrowing of the mind’s plowshare. The saint whose water can light lamps, the clairvoyant whose lapse in recall is the breath of God, the true paranoid for whom all is organized in spheres joyful or threatening about the central pulse of himself, the dreamer whose puns probe ancient fetid shafts and tunnels of truth all act in the same special relevance to the word, or whatever it is the word is there, buffering, to protect us from. The act of metaphor then was a thrust at truth and a lie, depending where you were: inside, safe, or outside, lost.”

Thomas Pynchon, The Crying of Lot 49. (via msodradek)

I read this a couple of years ago (it’s the least-intimidating Pynchon at a few hundred pages.) and I don’t remember this passage at all. Time to reread I guess.

kateoplis:

American southwest desert by David Zimmerman

This is why I want to go to the desert. Astounding.

kateoplis:

American southwest desert by David Zimmerman

This is why I want to go to the desert. Astounding.